Gift of the artist through the Queensland Art Gallery Foundation 2012.Ĭollection: Queensland Art Gallery, Australia. The Obliteration Room Paddy: So, as was reported, people are lining up to see Yayoi Kusama’s Obliteration Room. Originally developed by Yayoi Kusama for the Queensland Art Gallery’s APT 2002: Asia Pacific Triennial of Contemporary Art, The obliteration room has toured to London, Buenos Aires, Rio de Janiero, Brasilia, Sao Paulo, Mexico City, Shanghai, South Korea, Switzerland, France and Dunedin.Ĭollaboration between Yayoi Kusama and Queensland Art Gallery. Flower Obliteration 2017, along with the Obliteration Rooms that have come. Perhaps this is what Yayoi Kusama calls obliteration, a state that she sought to achieve by obsessively transforming the complex images of her hallucinations into works of art. With the familiar characteristics of a typical Aotearoa New Zealand home, The obliteration room at Auckland Art Gallery encourages visitors, especially children, to experience and engage with the artwork with little or no prompting. For over sixty years, Yayoi Kusama has worked obsessively on her paintings. Watch as, over time, a dizzying blur of colour is built up by visitors applying brightly coloured stickers in various sizes to every surface. 1929 Matsumoto, Japan).īeginning as a stark white interior, it encourages you to transform the space of our Creative Learning Centre by saturating it with a rainbow of brightly coloured dots. The obliteration room (2002–present) is a family-friendly and participatory installation by one of the world’s most popular, well-loved artists, Yayoi Kusama (b.
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